Albrecht Durerb.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg | |||
 |
|||
 |
|||
 |
|||
|
|
|
||||||||||
|
|
||||||||||
|
Harrowing of Hell Måleriet identifieringen:: 63634 Titta min galleri i Sverige |
Harrowing of Hell 1512 Engraving, 117 x 73 mm Metropolitan Museum of Art, New York Sheet No. 14 of the Engraved Passion. Adam and Eve are on the left, Moses is behind them, Cerberus above. The contrast between engraved and woodcut versions is similar to that described for the Deposition. The man whose arm Christ is touching is probably St John the Baptist. This print is a new and felicitous rendering, bearing witness to D?rer's inventiveness and imagination. Eve looks charming next to the aged Adam.Artist:D?RER, Albrecht Title: Harrowing of Hell; or, Christ in Limbo (No. 14) Painted in 1501-1550 , German - - graphics : religious 1512_Engraving,_117_x_73_mm_Metropolitan_Museum_of_Art,_New_York_Sheet_No._14_of_the_Engraved_Passion._Adam_and_Eve_are_on_the_left,_Moses_is_behind_them,_Cerberus_above._The_contrast_between_engraved_and_woodcut_versions_is_similar_to_that_described_for_the_Deposition._The_man_whose_arm_Christ_is_touching_is_probably_St_John_the_Baptist._This_print_is_a_new_and_felicitous_rendering,_bearing_witness_to_D?rer's_inventiveness_and_imagination._Eve_looks_charming_next_to_the_aged_Adam.Artist:D?RER,_Albrecht_Title:_Harrowing_of_Hell;_or,_Christ_in_Limbo_(No._14)___Painted_in__1501-1550___,__German__-_-_graphics__:_religious |
||||||||
|
|
||||||||||
|
Self-Portrait as the Man of Sorrows Måleriet identifieringen:: 63635 Titta min galleri i Sverige |
Self-Portrait as the Man of Sorrows 1522 Drawing with lead pencil on blue-green primed paper, 408 x 290 mm Kunsthalle, Bremen The drawing was destroyed in war. The Man of Sorrows is generally considered to be a self-portrait of D?rer created during his journey to the Netherlands. Semi-naked with a sunken chest and lips parted in pain, the man is gazing very naturalistically out of the picture. His crossed arms and the Instruments of the Passion such as the scourge and fasces remind us of Christ's sufferings.Artist:D?RER, Albrecht Title: Self-Portrait as the Man of Sorrows Painted in 1501-1550 , German - - graphics : portrait 1522_Drawing_with_lead_pencil_on_blue-green_primed_paper,_408_x_290_mm_Kunsthalle,_Bremen_The_drawing_was_destroyed_in_war._The_Man_of_Sorrows_is_generally_considered_to_be_a_self-portrait_of_D?rer_created_during_his_journey_to_the_Netherlands._Semi-naked_with_a_sunken_chest_and_lips_parted_in_pain,_the_man_is_gazing_very_naturalistically_out_of_the_picture._His_crossed_arms_and_the_Instruments_of_the_Passion_such_as_the_scourge_and_fasces_remind_us_of_Christ's_sufferings.Artist:D?RER,_Albrecht_Title:_Self-Portrait_as_the_Man_of_Sorrows___Painted_in__1501-1550___,__German__-_-_graphics__:_portrait |
||||||||
|
|
||||||||||
|
Winged Man Måleriet identifieringen:: 63636 Titta min galleri i Sverige |
Winged Man in Idealistic Clothing, Playing a Lute 1497 Silverpoint on dark paper, with white highlights, 268 x 195 mm Staatliche Museen, Berlin The statuesque model was also available to the artist during his work on The Apocalypse. In that series the head recurs not only in the destroying angels, but also in the apocalyptic horsemen and the angels that calm the winds.Artist:D?RER, Albrecht Title: Winged Man, in Idealistic Clothing, Playing a Lute Painted in 1501-1550 , German - - graphics : study in_Idealistic_Clothing,_Playing_a_Lute_1497_Silverpoint_on_dark_paper,_with_white_highlights,_268_x_195_mm_Staatliche_Museen,_Berlin_The_statuesque_model_was_also_available_to_the_artist_during_his_work_on_The_Apocalypse._In_that_series_the_head_recurs_not_only_in_the_destroying_angels,_but_also_in_the_apocalyptic_horsemen_and_the_angels_that_calm_the_winds.Artist:D?RER,_Albrecht_Title:_Winged_Man,_in_Idealistic_Clothing,_Playing_a_Lute___Painted_in__1501-1550___,__German__-_-_graphics__:_study |
||||||||
|
|
||||||||||
|
Resurrection Måleriet identifieringen:: 63637 Titta min galleri i Sverige |
Resurrection 1512 Engraving, 119 x 75 mm Metropolitan Museum of Art, New York Sheet No. 15 of the Engraved Passion. Christ is seen holding the Flag of Peace in his left hand. In both the woodcut versions and in the Engraved Passion Christ is shown in a triumphant stance, Italianate in manner, and contrasted with the sleeping guards. In this instance Christ is standing on his sarcophagus, while in the Large Woodcut Passion he is shown suspended in the air above it.Artist:D?RER, Albrecht Title: Resurrection (No. 15) Painted in 1501-1550 , German - - graphics : religious 1512_Engraving,_119_x_75_mm_Metropolitan_Museum_of_Art,_New_York_Sheet_No._15_of_the_Engraved_Passion._Christ_is_seen_holding_the_Flag_of_Peace_in_his_left_hand._In_both_the_woodcut_versions_and_in_the_Engraved_Passion_Christ_is_shown_in_a_triumphant_stance,_Italianate_in_manner,_and_contrasted_with_the_sleeping_guards._In_this_instance_Christ_is_standing_on_his_sarcophagus,_while_in_the_Large_Woodcut_Passion_he_is_shown_suspended_in_the_air_above_it.Artist:D?RER,_Albrecht_Title:_Resurrection_(No._15)___Painted_in__1501-1550___,__German__-_-_graphics__:_religious |
||||||||
|
|
||||||||||
|
St Peter and St John Healing the Cripple Måleriet identifieringen:: 63638 Titta min galleri i Sverige |
St Peter and St John Healing the Cripple 1513 Engraving, 118 x 74 mm Metropolitan Museum of Art, New York Sheet No. 16 of the Engraved Passion. This engraving, considered as the last sheet of the Engraved Passion, is, in fact, outside the scope of a Passion series. D?rer cannot possibly have intended it as the final sheet. It may therefore be presumed that he planned to add further subjects which were never completed. It has been left out of most of the old bound copies of the Engraved Passion, and may have been intended as the first sheet of a projected series of the Apostles. The contrast of the statuesque greatness of the Apostle and the merciless condition of the cripple is notable. This engraving is perhaps derived from Masaccio's fresco The Tribute Money in the Brancacci Chapel in Florence. St Peter is based on a drawing for the Heller Altarpiece; the man on the far left is inspired by a medal of John Paleologus. The ailment of the cripple has been identified as leprosy.Artist:D?RER, Albrecht Title: St Peter and St John Healing the Cripple (No. 16) Painted in 1501-1550 , German - - graphics : religious 1513_Engraving,_118_x_74_mm_Metropolitan_Museum_of_Art,_New_York_Sheet_No._16_of_the_Engraved_Passion._This_engraving,_considered_as_the_last_sheet_of_the_Engraved_Passion,_is,_in_fact,_outside_the_scope_of_a_Passion_series._D?rer_cannot_possibly_have_intended_it_as_the_final_sheet._It_may_therefore_be_presumed_that_he_planned_to_add_further_subjects_which_were_never_completed._It_has_been_left_out_of_most_of_the_old_bound_copies_of_the_Engraved_Passion,_and_may_have_been_intended_as_the_first_sheet_of_a_projected_series_of_the_Apostles._The_contrast_of_the_statuesque_greatness_of_the_Apostle_and_the_merciless_condition_of_the_cripple_is_notable._This_engraving_is_perhaps_derived_from_Masaccio's_fresco_The_Tribute_Money_in_the_Brancacci_Chapel_in_Florence._St_Peter_is_based_on_a_drawing_for_the_Heller_Altarpiece;_the_man_on_the_far_left_is_inspired_by_a_medal_of_John_Paleologus._The_ailment_of_the_cripple_has_been_identified_as_leprosy.Artist:D?RER,_Albrecht_Title:_St_Peter_and_St_John_Healing_the_Cripple_(No._16)___Painted_in__1501-1550___,__German__-_-_graphics__:_religious |
||||||||
|
|
||||||||||
| Föregående Konstnär Nästa Konstnär | ||||||||||
|
|
||||||||||
| Albrecht Durer | ||||||||||
| b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg | ||||||||||
|
|
||||||||||
IntoFineArt Co,.Ltd.